The art by the Canadian Rodney Graham may come across as light-footed, yet in reality it harbors an extraordinary complexity in terms of content and its use of media. His photographs, objects, paintings, films, texts, and compositions contain references to philosophy and literature, to the history of art and culture, that range from Erasmus of Rotterdam and Edgar Allan Poe to Sigmund Freud, Richard Wagner, and Kurt Cobain. While in his early oeuvre he still approaches his sources of material with a great deal of conceptual rigor, in their playful ambivalence between scientific factuality and imaginative fiction his later works are marked primarily by an enormous and intelligent sense of humor.The Goetz Collection includes works from all of his creative phases and genres. This publication provides substantial insight into this all-rounder's extensive artistic work of the last forty years and extends an invitation to set out on a journey of discovery.Exhibition: Sammlung Goetz, Munich 28.11.2015-23.4.2016

Everyone wants to find their own place in the world. But where is it and what is it? How do we recognize place as being significant and not just merely space? And what is it that makes one place special and another not? These are questions that have taxed philosophers as far back as ancient Greece. But they are also much more than philosophical investigations. In a world where neighbours fight over a stretch of land, or where some groups can feel safe only in certain locations, place is a living reality that can be either the cause for violent conflict or the glue that binds communities together. This exhibition in a book presents some of the most challenging art to address the function of place in the contemporary world. Arranged into themed 'rooms', it reflects a wide variety of artistic attitudes and practices. Some artists find inspiration in the heterogeneity of the crowded city street, while others celebrate the wilds of nature as a counter to urban life. Some present imagined or fantastic worlds of their own invention, or explore the way place is often a creation of the mind. Others investigate the deep marks that myth and history can leave on the land, or consider how place can be used as a form of political control.Territorial divisions demarcating one place from another, often with terrible consequences, are the chosen subjectmatter of many artists; others prefer to look at itinerant wanderers with no claims on the earth, or to focus on anonymous non-places that lack any real identity of their own. All of the artists in this book - among them Thomas Demand, Allan Sekula, Luc Tuymans, Steve McQueen, Roni Horn and Susan Hiller - use art to puzzle out the complicated ways in which place can shape and affect us. All of them help us to understand the world in which we live.

Whether it's Georg Baselitz or Olafur Eliasson, Tacita Dean or Martin Kippenberger: these are the greats who have frequented Niels Borch Jensen's printmaking studio in Copenhagen. And they've been coming and going for more than forty years! Not only because of his special, farsighted expertise, which contributes to the congenial creation of unique works of art, but also due to his wish to reject any imposition of aesthetic limitations and to constantly attempt new things. A look at the story of the studio and its founder, therefore, also means taking a look through the kaleidoscope of contemporary art history. This volume is an excursion behind the scenes at the famous printmaking workshop. Exclusive artist interviews and the personal recollections of Niels Borch Jensen offer intriguing insights into the craft of printmaking and the collaborations with epoch-making artists.